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wertoi snegler seg gjennom DF 500


wertoi
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Lager meg en slik liste selv, som, som Tristano sier i sin tråd, en påminnelse om å skrive om filmene jeg ser. Og det gir alltid større motivasjon å se en film dersom man får tilfredsstillelsen av å krysse den av en liste etterpå - håper dette får opp filminteressen, som har boblet på svak varme i det siste, og at jeg endelig roter meg til å se disse kanonfilmene (nå også DF-kanonisert, tom).

  • * 2001: A Space Odyssey (1968, Kubrick)
  • * Stalker (1979, Tarkovsky)
  • * Persona (1966, Bergman)
  • * Mulholland Drive (2001, Lynch)
  • * A Clockwork Orange (1971, Kubrick)
  • * Aguirre, der Zorn Gottes (1972, Herzog)
  • * Vertigo (1958, Hitchcock)
  • * Zerkalo (1975, Tarkovsky)
  • * Apocalypse Now (1979, Coppola)
  • * Idi i Smotri (1985, Klimov)
  • * 8 1/2 (1963, Fellini)
  • * The Good, the Bad and the Ugly (1966, Leone)
  • * Sátántangó (1993, Tarr)
  • * Eraserhead (1977, Lynch)
  • * The Shining (1980, Kubrick)
  • * Once Upon a Time in the West (1968, Leone)
  • * Barry Lyndon (1975, Kubrick)
  • * Rear Window (1954, Hitchcock)
  • * There Will Be Blood (2007, Anderson)
  • * Lost in Translation (2003, Coppola)
  • * Ordet (1955, Dreyer)
  • * The Godfather: Part II (1974, Coppola)
  • * Andrei Rublev (1966, Tarkovsky)
  • * Werckmeister Harmóniák (2000, Tarr)
  • * Le passion de Jeanne D'Arc (1928, Dreyer)
  • * Smultronstället (1957, Bergman)
  • * Seven Samurai (1954, Kurosawa)
  • * 12 Angry Men (1957, Lumet)
  • * Dead Man (1995, Jarmusch)
  • * Le Samouraï (1967, Melville)
  • * Bad Boy Bubby (1993, De Heer)
  • * Pulp Fiction (1994, Tarantino)
  • * Det Sjunde Inseglet (1957, Bergman)
  • * Offret (1986, Tarkovsky)
  • * Blade Runner (1982, Scott)
  • * Last Year in Marienbad (1961, Resnais)
  • * Viskningar och Rop (1972, Bergman)
  • * The Enigma of Kaspar Hauser (1974, Herzog)
  • * No Country for Old Men (2007, Coen)
  • * M (1931, Lang)
  • * My Neighbor Totoro (1988, Miyazaki)
  • * Au Hasard Balthazar (1966, Bresson)
  • * Evil Dead II (1987, Raimi)
  • * Blue Velvet (1986, Lynch)
  • * Fanny och Alexander (1982, Bergman)
  • * Once Upon a Time in America (1984, Leone)
  • * The Godfather (1972, Coppola)
  • * Dr. Strangelove (1964, Kubrick)
  • * Der Freie Wille (2006, Glasner)
  • * Sans Soleil (1983, Marker)
  • * The Thing (1982, Carpenter)
  • * Nattvardsgästerna (1963, Bergman)
  • * Raging Bull (1980, Scorsese)
  • * The Big Lebowski (1998, Coen)
  • * Caché (2005, Haneke)
  • * McCabe & Mrs. Miller (1971, Altman)
  • * The Red Shoes (1948, Powell/Pressburger)
  • * The Holy Mountain (1973, Jodorowsky)
  • * The Third Man (1949, Reed)
  • * Eyes Wide Shut (1999, Kubrick)
  • * El Topo (1970, Jodorowsky)
  • * Das Weisse Band (2009, Haneke)
  • * Chungking Express (1994, Wong)
  • * Alien (1979, Scott)
  • * Le Charme discret de la Bourgeoisie (1972, Buñuel)
  • * Suspiria (1977, Argento)
  • * Salò, or the 120 Days of Sodom (1975, Pasolini)
  • * Tôkyô Monogatari (1953, Ozu)
  • * Körkarlen (1921, Sjöstrom)
  • * Possession (1981, Zulawski)
  • * Sunrise: A Song of Two Humans (1928, Murnau)
  • * Trois Couleurs: Bleu (1993, Kieslowski)
  • * The Thin Red Line (1998, Malick)
  • * Notorious (1946, Hitchcock)
  • * Spring, Summer, Fall, Winter... And Spring (2003, Kim)
  • * Antichrist (2009, Von Trier)
  • * Das Boot (1981, Petersen)
  • * Monty Python and the Holy Grail (1975, Gilliam/Jones)
  • * Festen (1998, Vinterberg)
  • * The General (1926, Bruckman/Keaton)
  • * La Dolce Vita (1960, Fellini)
  • * Taxi Driver (1976, Scorsese)
  • * Lost Highway (1997, Lynch)
  • * Ran (1985, Kurosawa)
  • * Metropolis (1927, Lang)
  • * Reservoir Dogs (1992, Tarantino)
  • * City of God (2002, Meirelles)
  • * Fargo (1996, Coen)
  • * Black Narcissus (1947, Powell/Pressburger)
  • * Gummo (1997, Korine)
  • * Chinatown (1974, Polanski)
  • * Rashômon (1950, Kurosawa)
  • * Trois Couleurs: Rouge (1994, Kieslowski)
  • * Life of Brian (1979, Jones)
  • * Lawrence of Arabia (1962, Lean)
  • * Days of Heaven (1978, Malick)
  • * Se7en (1995, Fincher)
  • * Star Wars: Episode V - The Empire Strikes Back (1980, Kershner)
  • * Vivre sa Vie (1962, Godard)
  • * Dancer in the Dark (2000, Von Trier)
  • * Le Mépris (1963, Godard)
  • * Oldboy (2003, Park)
  • * Akahige (1965, Kurosawa)
  • * Faces (1968, Cassavetes)
  • * Hiroshima Mon Amour (1959, Resnais)
  • * Naked (1993, Leigh)
  • * One Flew Over the Cuckoo's Nest (1975, Forman)
  • * Il Conformista (1970, Bertolucci)
  • * The Spirit of the Beehive (1973, Erice)
  • * Sunset Boulevard (1950, Wilder)
  • * Psycho (1960, Hitchcock)
  • * Nosferatu, eine Symphonie des Grauens (1922, Murnau)
  • * Forbidden Zone (1982, Elfman)
  • * The Lord of the Rings: The Fellowship of the Ring (2001, Jackson)
  • * La règle du Jeu (1939, Renoir)
  • * Funny Games (1997, Haneke)
  • * Happy Together (1997, Wong)
  • * Withnail & I (1987, Robinson)
  • * A Woman Under the Influence (1974, Cassavetes)
  • * Tetsuo (1989, Tsukamoto)
  • * Ikiru (1952, Kurosawa)
  • * Paris, Texas (1984, Wenders)
  • * Dogville (2003, Von Trier)
  • * Annie Hall (1977, Allen)
  • * Vampyr (1932, Dreyer)
  • * A Single Man (2009, Ford)
  • * Spirited Away (2001, Miyazaki)
  • * King Kong (1933, Cooper)
  • * Mènilmontant (1926, Kirsanoff)
  • * Week End (1967, Godard)
  • * Dawn of the Dead (1978, Romero)
  • * Badlands (1973, Malick)
  • * Belle de Jour (1967, Buñuel)
  • * Irréversible (2002, Noé)
  • * Army of Shadows (1969, Melville)
  • * Stroszek (1977, Herzog)
  • * Ugetsu Monogatari (1953, Mizoguchi)
  • * Magnolia (1999, Anderson)
  • * À bout de Souffle (1960, Godard)
  • * Videodrome (1983, Cronenberg)
  • * Crash (1996, Cronenberg)
  • * The Grand Illusion (1937, Renoir)
  • * Rififi (1955, Dassin)
  • * Faust - Eine deutsche Volkssage (1926, Murnau)
  • * Profondo Rosso (1975, Argento)
  • * The Elephant Man (1980, Lynch)
  • * L'Avventura (1960, Antonioni)
  • * Sympathy for Mr. Vengeance (2002, Park)
  • * The New World (2005, Malick)
  • * A Man Escaped (1956, Bresson)
  • * Fitzcarraldo (1982, Herzog)
  • * Seppuku (1962, Kobayashi)
  • * Trouble Every Day (2001, Denis)
  • * Berlin Alexanderplatz (1980, Fassbinder)
  • * Braindead (1992, Jackson)
  • * Double Indemnity (1944, Wilder)
  • * City Lights (1931, Chaplin)
  • * North by Northwest (1959, Hitchcock)
  • * Angst (1983, Kargl)
  • * Naked Lunch (1991, Cronenberg)
  • * Le Scaphandre et le Papillon (2007, Schnabel)
  • * Les Quatre Cents Coups (1959, Truffaut)
  • * Los Olvidados (1950, Buñuel)
  • * Up (2009, Docter/Peterson)
  • * Barton Fink (1991, Coen)
  • * La Double Vie de Véronique (1991, Kieslowski)
  • * Marketa Lazarová (1967, Vlácil)
  • * The Deer Hunter (1978, Cimino)
  • * De Ofrivilliga (2008, Östlund)
  • * La Pianiste (2001, Haneke)
  • * Close-Up (1990, Kiarostami)
  • * La chute de la maison Usher (1928, Epstein)
  • * Du Levande (2007, Andersson)
  • * Blow-Up (1966, Antonioni)
  • * Riki-Oh: The Story of Ricky (1991, Lam)
  • * Goodfellas (1990, Scorsese)
  • * Herz aus Glas (1976, Herzog)
  • * Såsom i en spegel (1961, Bergman)
  • * Down By Law (1986, Jarmusch)
  • * Mononoke-hime (1997, Miyazaki)
  • * Rosemary's Baby (1968, Polanski)
  • * L.A. Confidential (1997, Hanson)
  • * Dellamorte Dellamore (1994, Soavi)
  • * In the Mood for Love (2000, Wong)
  • * Pierrot le Fou (1965, Godard)
  • * Glengarry Glen Ross (1992, Foley)
  • * Fear and Loathing in Las Vegas (1998, Gilliam)
  • * Mouchette (1967, Bresson)
  • * Un Chien Andalou (1929, Buñuel)
  • * La Jetée (1962, Marker)
  • * Jules et Jim (1962, Truffaut)
  • * Låt den rätte komma in (2008, Alfredson)
  • * Miller's Crossing (1990, Coen)
  • * Fight Club (1999, Fincher)
  • * Vozvrashchenie (2003, Zvyagintsev)
  • * Freaks (1932, Browning)
  • * Happiness (1998, Solondz)
  • * Man Bites Dog (1992, Belvaux/Bonzel)
  • * Requiem for a Dream (2000, Aronofsky)
  • * Import/Export (2007, Seidl)
  • * Reprise (2006, Trier)
  • * Dead Ringers (1988, Cronenberg)
  • * The Killing of a Chinese Bookie (1976, Cassavetes)
  • * F For Fake (1973, Welles)
  • * Groundhog Day (1993, Ramis)
  • * Inland Empire (2006, Lynch)
  • * Syndromes and a Century (2006, Weerasethakul)
  • * Teorema (1968, Pasolini)
  • * Vredens Dag (1943, Dreyer)
  • * Beau Travail (1999, Denis)
  • * Riget I (1994, Von Trier)
  • * Synecdoche, New York (2008, Kaufman)
  • * Amarcord (1973, Fellini)
  • * Apur Sansar (1959, Ray)
  • * Jakten (1959, Løchen)
  • * 35 Rhums (2008, Denis)
  • * Nostalghia (1983, Tarkovsky)
  • * Casablanca (1942, Curtiz)
  • * Full Metal Jacket (1987, Kubrick)
  • * Heat (1995, Mann)
  • * Häxan (1922, Christensen)
  • * Spoorloos (1988, Sluizer)
  • * Pickpocket (1959, Bresson)
  • * Our Century (1983, Peleshian)
  • * L'Âge d'Or (1930, Buñuel)
  • * Brideshead Revisited (1981, Sturridge/Lindsay-Hogg)
  • * Zodiac (2007, Fincher)
  • * The Innocents (1961, Clayton)
  • * The Life Aquatic with Steve Zissou (2004, Anderson)
  • * Wendy and Lucy (2008, Reichardt)
  • * Crimes and Misdemeanors (1989, Allen)
  • * The Wayward Cloud (2005, Tsai)
  • * What Time Is It There? (2001, Tsai)
  • * Citizen Kane (1941, Welles)
  • * Death Wish 3 (1985, Winner)
  • * The Apartment (1960, Wilder)
  • * Der Müde Tod (1921, Lang)
  • * The Saragossa Manuscript (1965, Has)
  • * Almost Famous (2000, Crowe)
  • * The Big Sleep (1946, Hawks)
  • * Onibaba (1964, Shindô)
  • * Paths of Glory (1957, Kubrick)
  • * Kwaidan (1964, Kobayashi)
  • * Hunger (2008, McQueen)
  • * Toy Story (1995, Lasseter)
  • * A Serious Man (2009, Coen)
  • * La Battaglia di Algeri (1966, Pontecorvo)
  • * Singin' in the Rain (1952, Donen/Kelly)
  • * The Man Who Planted Trees (1988, Back)
  • * Ta'm e guilass (1997, Kiarostami)
  • * Woman in the Dunes (1964, Teshigahara)
  • * Solyaris (1972, Tarkovsky)
  • * Heimat - Eine Deutsche Chronik (1984, Reitz)
  • * Deliverance (1972, Boorman)
  • * Höstsonaten (1978, Bergman)
  • * This is England (2006, Meadows)
  • * Le Boucher (1970, Chabrol)
  • * The Gospel According to St. Matthew (1964, Pasolini)
  • * Performance (1970, Cammell/Roeg)
  • * This Is Spinal Tap (1984, Reiner)
  • * Mat (1926, Pudovkin)
  • * Edvard Munch (1974, Watkins)
  • * Day of the Dead (1985, Romero)
  • * Night of the Living Dead (1968, Romero)
  • * Pather Panchali (1955, Ray)
  • * All Quiet on the Western Front (1930, Milestone)
  • * Dong (1998, Tsai)
  • * Csillagsok, Katonák (1967, Jancsó)
  • * Sleepaway Camp (1983, Hiltzik)
  • * Picnic at Hanging Rock (1975, Weir)
  • * The Exorcist (1973, Friedkin)
  • * Banshun (1949, Ozu)
  • * His Girl Friday (1940, Hawks)
  • * Lone Wolf and Cub: Baby Cart to Hades (1972, Misumi)
  • * Repulsion (1965, Polanski)
  • * The Birds (1963, Hitchcock)
  • * Aliens (1986, Cameron)
  • * Rio Bravo (1959, Hawks)
  • * Finding Nemo (2003, Stanton)
  • * A Page of Madness (1926, Kinugasa)
  • * The Limits of Control (2009, Jarmusch)
  • * The Conversation (1974, Coppola)
  • * Knocked Up (2007, Apatow)
  • * Ponyo (2008, Miyazaki)
  • * Cannibal Holocaust (1980, Deodato)
  • * Only Angels Have Wings (1939, Hawks)
  • * Raiders of the Lost Ark (1981, Spielberg)
  • * Notre Musique (2004, Godard)
  • * Rome, Open City (1945, Rossellini)
  • * The Flowers of St. Francis (1950, Rosselini)
  • * Sweet Movie (1974, Makavejev)
  • * Eureka (2000, Aoyama)
  • * Play Time (1967, Tati)
  • * Back to the Future (1985, Zemeckis)
  • * Harold and Maude (1971, Ashby)
  • * Sherlock Jr. (1924, Keaton)
  • * Bande á Part (1964, Godard)
  • * Ivan the Terrible, Part One (1944, Eisenstein)
  • * Manhattan (1979, Allen)
  • * Ghost Dog: The Way of the Samurai (1999, Jarmusch)
  • * Army of Darkness (1992, Raimi)
  • * Aleksandr Nevskiy (1938, Eisenstein)
  • * Nuit et Brouillard (1955, Resnais)
  • * The Devil, Probably (1977, Bresson)
  • * Démanty Noci (1964, Nemec)
  • * La Belle et la Bête (1946, Cocteau)
  • * The Assassination of Jesse James by the Coward Robert Ford (2007, Dominik)
  • * Love Streams (1984, Cassavetes)
  • * Yi Yi (2000, Yang)
  • * Wild at Heart (1990, Lynch)
  • * A Brighter Summer Day (1991, Yang)
  • * Steamboat Bill Jr. (1928, Reisner/Keaton)
  • * All About Eve (1950, Mankiewicz)
  • * Lilja 4-Ever (2002, Moodysson)
  • * Au Revoir les Enfants (1987, Malle)
  • * Jerkbeast (2005, Hall/Reeder)
  • * Viridiana (1961, Buñuel)
  • * Hausu (1977, Obayashi)
  • * The Lord of the Rings: The Return of the King (2003, Jackson)
  • * It's A Wonderful Life (1946, Capra)
  • * Jaws (1975, Spielberg)
  • * Storm over Asia (1928, Pudovkin)
  • * The Darjeeling Limited (2007, Anderson)
  • * The Straight Story (1999, Lynch)
  • * Touch of Evil (1958, Welles)
  • * Unforgiven (1992, Eastwood)
  • * Das Cabinet des Dr. Caligari (1920, Wiene)
  • * Stranger Than Paradise (1984, Jarmusch)
  • * The Graduate (1967, Nichols)
  • * The Usual Suspects (1995, Singer)
  • * Nashville (1975, Altman)
  • * Professione: Reporter (1975, Antonioni)
  • * The Fly (1986, Cronenberg)
  • * The New York Ripper (1982, Fulci)
  • * Voskhozhdeniye (1977, Shepitko)
  • * Dekalog (1989, Kieslowski)
  • * Memories of Murder (2003, Bong)
  • * Punishment Park (1971, Watkins)
  • * Yojimbo (1961, Kurosawa)
  • * My Winnipeg (2007, Maddin)
  • * Ladri di Biciclette (1948, De Sica)
  • * The Wizard of Oz (1939, Fleming)
  • * Brazil (1985, Gilliam)
  • * White Sun of the Desert (1970, Motyl)
  • * Boogie Nights (1997, Anderson)
  • * Network (1976, Lumet)
  • * Die Hard (1988, McTiernan)
  • * Last Life in the Universe (2003, Ratanaruang)
  • * Hundstage (2001, Seidl)
  • * Dazed and Confused (1993, Linklater)
  • * All the Real Girls (2003, Gordon Green)
  • * Being There (1979, Ashby)
  • * Celine and Julie Go Boating (1974, Rivette)
  • * Femme Fatale (2002, De Palma)
  • * Koyaanisqatsi (1982, Reggio)
  • * Sanshô dayû (1954, Mizoguchi)
  • * The Phantom of Liberty (1974, Buñuel)
  • * Go, Go Second Time Virgin (1969, Wakamatsu)
  • * Letter From an Unknown Woman (1948, Ophuls)
  • * Act of Violence (1948, Zinnemann)
  • * Der Blaue Engel (1930, von Sternberg)
  • * Letters from a Dead Man (1986, Lopushansky)
  • * L'Humanité (1999, Dumont)
  • * Murmur of the Heart (1971, Malle)
  • * Spalovac Mrtvol (1969, Herz)
  • * They Live (1988, Carpenter)
  • * Cannibal! The Musical (1993, Parker)
  • * Baron Prásil (1961, Zeman)
  • * Testament of Orpheus (1960, Cocteau)
  • * The Unsent Letter (1959, Kalatozov)
  • * Twelve Monkeys (1995, Gilliam)
  • * O Lucky Man! (1973, Anderson)
  • * Anvil! The Story of Anvil (2008, Gervasi)
  • * Henry: Portrait of a Serial Killer (1986, McNaughton)
  • * Pink Flamingos (1972, Waters)
  • * Scarface (1983, De Palma)
  • * Star Wars: Episode IV - A New Hope (1977, Lucas)
  • * Easy Rider (1969, Hopper)
  • * Kill, Baby... Kill! (1966, Bava)
  • * Samurai Rebellion (1967, Kobayashi)
  • * The Dark Knight (2008, Nolan)
  • * The Wicker Man (1973, Hardy)
  • * Bring Me the Head of Alfredo Garcia (1974, Peckinpah)
  • * The Man Who Fell to Earth (1976, Roeg)
  • * Killer Klowns From Outer Space (1988, Chiodo)
  • * The Treasure of the Sierra Madre (1948, Huston)
  • * The War Game (1965, Watkins)
  • * Passion (1982, Godard)
  • * Bambi (1942, Algar/Armstrong)
  • * Dersu Uzala (1975, Kurosawa)
  • * L'Atalante (1934, Vigo)
  • * That Obscure Object of Desire (1977, Buñuel)
  • * Underground (1995, Kusturica)
  • * Le fabuleux destin d'Amélie Poulain (2001, Jeunet)
  • * The Killing (1956, Kubrick)
  • * The Matrix (1999, Wachowski)
  • * Umberto D. (1952, De Sica)
  • * Das Leben der Anderen (2006, Henckel von Donnersmark)
  • * Angst Essen Seele Auf (1974, Fassbinder)
  • * High and Low (1963, Kurosawa)
  • * Shoah (1985, Lanzmann)
  • * The Wages of Fear (1953, Clouzot)
  • * Breaking the Waves (1996, Von Trier)
  • * Eaux d'artifice (1953, Anger)
  • * Stand By Me (1986, Reiner)
  • * Vargtimmen (1968, Bergman)
  • * Julien Donkey-Boy (1999, Korine)
  • * Lacombe, Lucien (1974, Malle)
  • * Crime Wave (1985, Paizs)
  • * Peeping Tom (1960, Powell)
  • * The Trial (1962, Welles)
  • * South Park: Bigger, Longer & Uncut (1999, Parker)
  • * The Saddest Music in the World (2003, Maddin)
  • * Carrie (1976, De Palma)
  • * Dead Man's Shoes (2004, Meadows)
  • * Elephant (2003, Van Sant)
  • * Sånger från andra våningen (2000, Andersson)
  • * 2046 (2004, Wong)
  • * Assault on Precinct 13 (1976, Carpenter)
  • * Bad Lieutenant (1992, Ferrara)
  • * The Evil Dead (1981, Raimi)
  • * Animal Farm (1954, Batchelor/Halas)
  • * The Scarlett Empress (1934, von Sternberg)
  • * Wake in Fright (1971, Kotcheff)
  • * Deadly Prey (1987, Prior)
  • * Die Büchse der Pandora (1929, Pabst)
  • * Eyes Without a Face (1960, Franju)
  • * Claire's Knee (1970, Rohmer)
  • * Coeur Fidele (1923, Epstein)
  • * Gycklarnas Afton (1953, Bergman)
  • * Mon Oncle (1958, Tati)
  • * Scener ur ett äktenskap (1973, Bergman)
  • * Sherman's March (1986, McElwee)
  • * The Best of Youth (2003, Giordana)
  • * Clerks (1994, Smith)
  • * Sayat Nova (1969, Parajanov)
  • * Mean Streets (1973, Scorsese)
  • * My Night at Maud's (1969, Rohmer)
  • * Escape From New York (1981, Carpenter)
  • * Shadow of a Doubt (1943, Hitchcock)
  • * Der Himmel Über Berlin (1987, Wenders)
  • * Opera (1987, Argento)
  • * Coraline (2009, Selick)
  • * Fishing With John (1991, Lurie)
  • * The Dead (1987, Huston)
  • * The Hart of London (1970, Chambers)
  • * Europa (1991, Von Trier)
  • * Le Roman de Renard (1930, Starewicz)
  • * Nobody Knows (2004, Koreeda)
  • * Paranoid Park (2007, Van Sant)
  • * The Wrestler (2008, Aronofsky)
  • * Dr. Mabuse, der Spieler - Ein Bild der Zeit (1922, Lang)
  • * Farväl Falkenberg (2006, Ganslandt)
  • * La Cabina (1972, Mercero)
  • * Ashes of Time (1994, Wong)
  • * The Chaser (2008, Na)
  • * Nun va Goldoon (1996, Makhmalbaf)
  • * Once Were Warriors (1994, Tamahori)
  • * I Vitelloni (1953, Fellini)
  • * Begotten (1990, Merhige)
  • * Eternal Sunshine of the Spotless Mind (2004, Gondry)
  • * Kill Bill: Vol. 1 (2003, Tarantino)
  • * Komposition in Blau (1935, Fischinger)
  • * Man With a Movie Camera (1929, Vertov)
  • * The Right Stuff (1983, Kaufman)
  • * The Wild Bunch (1969, Peckinpah)
  • * Do the Right Thing (1989, Lee)
  • * Hable Con Ella (2002, Almodóvar)
  • * Éloge de l'Amour (2001, Godard)
  • * Fucking Åmål (1998, Moodysson)
  • * Wise Blood (1979, Huston)
  • * El Sur (1983, Erice)
  • * Ivan the Terrible, Part Two (1958, Eisenstein)
  • * A.I.: Artificial Intelligence (2001, Spielberg)
  • * El ángel exterminador (1962, Buñuel)
  • * Les enfants du Paradis (1945, Carné)
  • * The Third Part of the Night (1971, Zulawski)
  • * 3 Women (1977, Altman)
  • * All the President's Men (1976, Pakula)
  • * If.... (1968, Anderson)
  • * L'Argent (1983, Bresson)
  • * Office Space (1999, Judge)
  • * Scarface (1932, Hawks)
  • * Brand Upon the Brain! (2006, Maddin)
  • * Nosferatu: Phantom der Nacht (1979, Herzog)
  • * Sideways (2004, Payne)
  • * Die Brücke (1959, Wicki)
  • * The Lord of the Rings: The Two Towers (2002, Jackson)
  • * Bringing Up Baby (1938, Hawks)
  • * Rocco and His Brothers (1960, Visconti)
  • * The Dreamers (2003, Bertolucci)
  • * Throne of Blood (1957, Kurosawa)
  • * 4 (2005, Khrjanovsky)
  • * For a Few Dollars More (1965, Leone)
  • * Haibane renmei (2002, Imazaki/Takada)
  • * La Face Cachée de la Lune (2003, Lepage)
  • * Lessons of Darkness (1992, Herzog)
  • * Symphonie Diagonale (1924, Eggeling)
  • * Menq (1969, Peleshian)
  • * Wild Night in El Reno (1977, Kuchar)

269/500

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Mja, får se. Litt ambivalent til Godard ennå. Av de (få) filmene jeg har sett er Week End den eneste jeg setter høyt, da jeg etterhvert forsto det slik at den "skulle" være en lidelse å se på - men jeg setter pris på den som konsept og ikke som filmopplevelse. Sistnevnte er strengt tatt det jeg setter høyest, og jeg har inntrykk av at Godard gjerne er mer opptatt av førstnevnte. Vet ikke hvor godt denne fordommen stemmer, har åpenbart ikke skaffa meg nok peiling på feltet.

Såklart, hvis LM klare å omvende meg er det en god ting. Krysser fingra!

 

Tror nesten jeg må prioritere Mulholland Drive. Stygt hull.

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