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Rekk opp hånda de som synes at Anders Danielsen Lie har fin kone. http://multimedia.dn.no/archive/00129/Iselin_Vollen_Steir_129307a.jpg http://img-fotki.yandex.ru/get/4006/bgina.0/0_20292_6be79f72_XL.jpg http://gfx.dagbladet.no/pub/artikkel/5/53/533/533671/iselin_320_1209131511.jpg Hun spiller i Joachim Triers nye film (liten rolle), sammen med Danielsen Lie og Hans Olav Brenner fra Bokprogrammet (store roller)

Zerkalo (Tarkovskij, ’75) Andrei Rublev (Tarkovskij, ’66) Persona (Bergman, ’66) Sátántangó (Tarr, ’94) Ordet (Dreyer, ’55) The Fall of the House of Usher (Epstein, ‘28) Le diable probablement (Bresson, ‘77) Ménilmontant (Kirsanoff, 26) Stalker (Tarkovkij, ‘79) Greed (Stroheim, ’24) M (Lang, ‘31) Partie de campagne (Renoir, ‘36) Floating Clouds (Naruse, ’55) Seventh Victim (Robson, ’43) El sur (Erice, ‘83) Le charme discret de la bourgeoisie (Buñuel, ’72) Come and See (Klimov, ‘85) The Hart of London (Chambers, ’70) Nattvardsgästerna (Bergman, ’63) 2001: A Space Odyssey (Kubrick, ‘68) A Man Escaped (Bresson, ‘56) Sunrise: A Song of Two Humans (Murnau, ‘27) La Passion de Jeanne D'Arc (Dreyer, ’28) L'Humanité (Dumont, ’99) Berlin Alexanderplatz (Fassbinder, ‘80) Mouchette (Bresson, ’67) Vampyr (Dreyer, ’31) Au hasard Balthazar (Bresson, ’66) La Dolce Vita (Fellini, ’60) Ugetsu Monogatari (Mizoguchi, ’54) Heimat (Reitz, ’84) The Scarlett Empress (Sternberg, ’34) Day of Wrath (Dreyer, ‘43) Herr Arnes Pengar (Stiller, ’19) Letter From an Unknown Woman (Ophüls, ’48) Vertigo (Hitchcock, ’58) 8 ½ (Fellini, ’63) Veronika Voss (Fassbinder, ’82) Love Streams (Cassavetes, ’84) Werckmeister Harmonies (Tarr, 00) Tale of Tales (Norshteyn, 79) Pickpocket (Bresson, ’59) The Third Man (Reed, ’49) Late Spring (Ozu ‘49) Close-Up (Kiarosatmi, ’90) Color of Pomegrenades (Parajanov, ’69) Claire’s Knee (Rohmer, ’70) Die Brücke (Wicki, ’59) 3 Women (Altman, ‘77) The Asthenic Syndrome (Muratova, 89) City Lights (Chaplin, ‘31) Double Indemnity (Wilder, ‘44) The Ascent (Shepitko, ‘77) Limite (Peixoto, ‘31) Dr. Mabuse: The Gambler (Lang, ‘22) Rififi (Dassin, ‘55) Eaux d'artifice (Anger, ‘53) Le Mepris (Godard, ’63) Johnny Guitar (Ray, ‘54) Les enfants du paradis (Carné, ’45) The Innocents (Clayton, ’61) Army of Shadows (Melville, ‘69) Il Deserto dei Tartari (Zurlini, ’76) Forest (Fliegauf, ‘03) The Grand Illusion (Renoir, ‘37) Posle smerti (Bauer, ‘15) Le boucher (Chabrol, ‘70) Faces (Cassavetes, ’68) Beau Travail (Denis, ’99) Wooden Crosses (Bernard, ‘32) The Son (Dardenne, ‘02) Un Coeur Fidele (Epstein, ’23) Black Narcissus (Powell/Pressburger, ’47) Odd Man Out (Reed, ’47) Chronik der Anna Magdalena Bach (Huillet, Straub, ’68) Marketa Lazarová (Vlacil, ‘67) The Shooting (Hellman, 67) Black Sabbath (Bava, ’68) Murmur of the Heart (Malle, ‘71) Le tombeau d'Alexandre (Marker, ‘93) Naked (Leigh, ’93) Faust - Eine deutsche Volkssage (Murnau, ’26) Shadows of Forgotten Ancestors (Parajanov, ‘64) Metropolis (Lang, ’27) Mulholland Dr. (Lynch, ‘01) Lizard in a Woman’s Skin (Fulci, ’71) La Belle Noiseuse (Rivette, ’91) Rabid Dogs (Bava, ’74) A Moment of Innocence (Makhmalbaf, ’96) Sans Soleil (Marker, ’83) The Beast Must Die (Chabrol, ‘69) Rashomon (Kurosawa, ‘50) Legend of Bailiff Sansho (Mizoguchi, ‘54) Opening Night (Cassavetes, ‘77) Härlig är jorden (Andersson, ’91) Gunnar Hedes Saga (Stiller, ’23) Tirez sur le Pianiste (Truffaut, ’60) Kiss Me Deadly (Aldrich, ’55) La vie de bohème (Kaurismäki, ’92) The Return (Zvyagintzev, ‘03) Post #5000! edit. noen endringer.